Ali, Shay and I have decided to work together for our film. We found a good way to merge all of our themes together to create a complex yet doable film with a given plot sequence. Shay wanted to do the theme of struggle with body image, Ali coming of age and myself the portrayal of unique and shared human experience. So we worked out a way in which we'll have two protagonist with contrasting lifestyles who exprience growing up in very different ways to show they experience a shared human cycle in a unique way. Furthermore, we also decided that we could easily have one or both of the protagonists struggle with body image. We haven't decided if both of them should, but I feel it's more impactful if only one of them did to show how other people face struggles some do not even think about once in their lives.
Though we need to discuss our individual conceptions; currently, I'm thinking that the style of the film will be developed using techniques relevant to the theme such as parallel shots between one life to the next, dark vs bright colors, dramatic shot angles and sound designs, which works well to incorporate all the elements each of us wanted to focus on individually. The mood of the film will be relatively somber as the audience is watching contrasting coming of age stories of struggle. However, I'd like to think we can insert moments of hope in there as well. The purpose of this movie is to portray the uniqueness of each human experience and educate the audience on struggles with body image.
We also have decided on our roles in our film. Shay will be the sound designer. Ali and I had both selected cinematographer but one of us will simply switch to director as we further explore our strengths and weaknesses. So far, we don't have our crew of cast or locations yet but I think the nature of our film gives us a pretty clear of the setting we'll need so I don't feel that will be an obstacle.
Overall, I think our film collaboration is shaping up to be more complex and interesting than what I I initially had in mind and I am excited that all of our themes worked so well together to create an inclusive storyline. I also feel that this will be good in the sense that I didn't have a strong sense of how I could find a cast and crew by myself and I'm comfortable knowing that we can share those duties now with each other. Overall, I am excited to work on this newly formulated project.
Monday, September 26, 2016
Monday, September 19, 2016
Saturday, September 17, 2016
Wednesday, September 14, 2016
Lighting Project
Sunday, September 11, 2016
First Production Check
I want to base my film on the combination of the uniting human experience theme and the theme of individual experience by focusing on the connecting theme of theme. I want to connect these two themes by portraying how although everyone experiences the same life cycle, privilege or the lack therefore can cause one's person experience to be drastically different from someone else's. For the sake for expressing my message clearly, in my plan, I plan to depict two drastically different lives - one person who faces struggles in every step of the way while the other person almost glides through life without worries. In the exposition, I will start my depicting their lives separately and then lead them to meet at the climax and show the fallout of what each character learns from the other's life.
Next, I will discuss the film techniques I will use to create meaning. Using parallelism, I might layer shots or drop contrasting situations between each characters quickly one after another for maximum effect about my theme. Furthermore, I plan on focusing on the technique of using dramatic, often contrasting camera angles. For example, the person with privilige will be depicted around vertical lines, in order to convey that they have easy access to power. On the other hand, the other character will shot using bird's eye to make the person look weak and overpowered. In shots where the two characters are together, I will use proportion to make the privileged character look a lot larger than the other character. Because I will be focusing on camera angles anyway, I will choose the role of cinematographor as my primary focus will be on the layout of each frame.
Based on my experiences with film, I plan to make adjustments to highlight my strengths and cover my weaknesses this year. During the making of the chase scene last year, I was really frustrated with movements such as the dolly and tracking that involves fully moving the tripod as it was extremely stressful to set the timing of those shots and it was not something that worked well for me. On the other hand, I very much enjoyed using movements like panning and tilt that involved only moving the camera and they were effective for me. In addition, I want to create better unity through using similar principles of design as my films last year appear disjointed a lot because of the jumbled principle of designs in the background.
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